Did Megasthenes Meet Chandragupta Maurya

I got a comment on the post Dating Indian History by one GD Prasad , who claimed that to see the correct Indian History refer to Purana date, which I dismissed it as there was nothing to backup the comment. But curiously he said that the Chandragupta at the time of Alexander was of Gupta Dynasty not Maurya Dynasty. Now that worm has entered my head, After Googling much I am writing this article. Since this is the date that determines the entire Indian history is based on, we have to identify correctly who was the Chandragupta at the time of Alexander who met Megasthenes. Chandragupta Maurya is Indian King who renounced his empire and became jain monk , he went to Shravanbelagola in karnataka and died as simple man.

Megasthenes story

Megasthenes was the Greek ambassador sent by Seleucus Nicator in c. 302 B.C. to the court of the Indian king whom he and the Greek called "Sandrocottus". He was stationed in "Palimbothra", the capital city of the kingdom. It is not clear how many years Megasthenes stayed in India, but he did write an account of his stay, titled Indika. The manuscript Indika is lost, and there is no copy of it available. However, during the time it was available, many other Greek writers quoted passages from it in their own works. These quotations were meticulously collected by Dr. Schwanbeck in the nineteenth century, and this compilation is also available to us in English (J.M. McCrindle: Ancient India as Described by Megasthenes and Arrian). When European Indologists were groping to date Indian history during the nineteenth century (after having arbitrarily rejected the various Puranas), the Megasthenes account came in very useful.
How Chandragupta Maurya was Equated with Sandrocottus – Sheet Anchor Chronology.

Sir William Jones could not believe in the antiquity of the Bharata War according to Indian accounts because of his Christian faith which told him that Creation took place at 9-00 a. m, on 23rd October 4004 BC. He tried to search the Greek and Roman accounts. These accounts supplied some information about India of the time of the Macedonian king Alexander. It mentioned seven names of three successive Indian kings. Attributing one name each for the three kings the names are Xandrammes, Sandrocottus and Sandrocyptus. Xandrammes of the previous dynasty was murdered by Sandrokottas whose son was Sandrocyptus.

Jones picked up one of these three names, namely, Sandrokottas and found that it had a sort of phonetic similarity with the name Chandragupta of the Puranic accounts. According to the Greek accounts, Palibothra was the capital of Sandrokottas. Jones took Palibothra as a Greek pronunciation of Pataliputra, the Indian city and capital of Chandragupta. He, then, declared that Sandrokottas of the Greek accounts is Chandragupta Maurya of the Puranas. Jones died just a year after this declaration and possibly before his death, could not know that Puranas have another Chandragupta of the Gupta dynasty.

Later scholars took this identity of Sandrokottas with Chandragupta Maurya as proved and carried on further research. James Princep, an employee of the East India Company, deciphered the Brahmi script and was able to read the inscriptions of Piyadassana. Turnour, another employee of the Company in Ceylon, found in the Ceylonese chronicles that Piyadassana was used as a surname of Asoka, the grandson of Chandragupta Maurya. The inscription bearing the name of Asoka was not found till the time of Turnour. In 1838, Princep found five names of the Yona kings in Asoka's inscriptions and identified them as the five Greek kings near Greece belonging to third century BC who were contemporary to Asoka.

In the Greek accounts, Sandrokottas of Palimbothra is described as a contemporary of Alexander of Macedonia who invaded India during 327 BC to 323 BC This decides the approximate date of Chandragupta Maurya. Princep's research decides the approximate date of Asoka, the grandson of Chandragupta Maurya as in 3rd century BC Both these dates were adjusted with the reign periods of the three successive Magadha kings, Chandragupta, Bindusara and Asoka of the Maurya dynasty given in the Puranas. Thus, the date c. 320 BC was fixed as the date of coronation of Chandragupta Maurya. It is on this date that every other date of Indian history has been constructed.

Max Mueller, in 1859 AD, finalized this identity of Sandrokottas with Chandragupta Maurya and declared c. 320 BC, the date of coronation of Chandragupta Maurya as the Sheet Anchor of Indian history. M. Troyer did not agree with this conclusion and noted this fact in the introduction to his translation of Rajatarangani of Kalhana. He even communicated his views to Prof. Max Mueller in a letter but did not receive a reply from him.
Smith's Chronology:
Historian V. A. Smith took the chronological identity asserted by the predecessors in this historical hierarchy as the basis for further calculation of the exact dates of the different dynasties that ruled over Magadha after and before the Mauryas. He took the aid of numismatics in addition to epigraphy. He could not however get over, as if by compunction, to follow the Puranas in the enumeration of the kings and their dynasties. But he reduced their reign periods. The total reduction done by these British scholars, from Jones to Smith, comes to 1300 years according to some Indian chronologists.

Indian View Chandragupta Maurya did not meet Megasthenes

1. Megasthenes has nowhere mentioned the word Maurya
2. He makes absolutely no mention of a person called either Chanakya or Kautilya.
3. Indian historians have recorded two Chandr aguptas, one of the Maurya dynasty and another of the Gupta dynasty. Both of them had a grandson called Ashoka. While the Mauryan Chandragupta' s son was called Bimbasara (sometimes Bindusara), The Gupta Chandragupta had a son called Samudragupta. Interestingly Megasthenese has written that Sandrakuttos had a son called Samdrakyptos, which is phonetically nearer to Samudragupta and not Bindusara.
   
4. The king lists given by the Puranas say that 1500 years elapsed from the time of the Kurukshetra war to the beginning of the Nanda dynasty's rule. If one assumes the Nandas' period to be 5th century BCE, this would put the Bharatha war around 1900 BCE whereas the traditional view has always been 3100 BCE. This gives a difference of 1200 years which go unaccounted.
5. Megasthanese himself says 137 generations of kings have come and gone between Krishna and Sandrakuttos, whereas the puranas give around 83 generations only between Jarasandha's son (Krishna's contemporary) to the Nandas of the Magadha kingdom.. Assuming an average of 20 to 25 years per generation, the difference of 54 generations would account for the gap of the 1200 years till the time of Alexander.

6. The Chinese have always maintained that Buddhism came to China from India around 1100 -1200 BCE, whereas the western historians tend to put Buddha at 500 BCE
7. According to the Greek accounts, Xandrammes was deposed by Sandrokottas and Sandrocyptus was the son of Sandrokottas. In the case of Chandragupta Maurya, he had opposed Dhanananda of the Nanda dynasty and the name of his son was Bindusara. Both these names, Dhanananda and Bindusara, have no phonetic similarity with the names Xandrammes and Sandrocyptus of the Greek accounts.
   

8. Asoka's empire was bigger than that of Chandragupta Maurya and he had sent missionaries to the so-called Yavana countries. But both of them are not mentioned. Colebrook has pointed out that the Greek writers did not say anything about the Buddhist Bhikkus though that was the flourishing religion of that time with the royal patronage of Asoka. Roychaudhari also wonders why the Greek accounts are silent on Buddhism.

9. The empire of Chandragupta was known as Magadha empire. It had a long history even at the time of Chandragupta Maurya. In Indian literature, this powerful empire is amply described by this name but it is absent in the Greek accounts. It is difficult to understand as to why Megasthanese did not use this name and instead used the word Prassi which has no equivalent or counterpart in Indian accounts.

10. To decide as to whether Pataliputra was the capital of the Mauryas, Puranas is the only source. Puranas inform us that all the eight dynasties that ruled Magadha after the Mahabharata War had Girivraja as their capital. Mauryas are listed as one of the eight dynasties. The name Pataliputra is not even hinted at, anywhere in the Puranas.

No Concrete Proofs:
The Western scholars and their followers in India have been all along insisting on concrete evidence for ancient Indian chronology but they themselves have not been able as yet, to furnish any such evidence for the sheet anchor.

All the evidence supplied so far is conjectural. No numismatic or inscriptional proof is available for the date. Same was the condition at the time of V. A. Smith. He had written, "Unfortunately, no monuments have been discovered which can be referred with certainty to tile period of Chandragupta Maurya and the archaeologist is unable to bring any tangible evidence afforded by excavations."

Pandit Bhagavaddatta seems to have studied the fragments of Megasthenes in more detail than those who decided the identity. On the basis of Megasthenes's statements, he has arrived at the following conclusions. "Yamuna was flowing through Palibotha i.e., Paribhadra, the capital of the Prassi kingdom. Palibothra was 200 miles from Prayaga on way to Mathura. The kshatriyas there were known as Prabhadrakas or Paribhadrakas. Their king was Chandraketu. The capital Paribhadra was near to Sindhu-Pulinda which is in Madhya Desha and is today termed as Kali-Sindha. The Karusha Sarovara was between Sindhu-Pulinda and Prayaga." He further states, "Pataliputra cannot be written as Palibothra in Greek because 'P', in Patali is written in Greek as English 'P', only ; then why 'P', in Putra is changed to 'B', in Greek? There is no instance where Sanskrit 'P', is changed to Greek 'B'." Putra cannot be Bothra.

Conclusion
Based on all these, I would say the Sandrakuttos of Megasthanese was not Chandragupta Maurya. As far as Chandragupta of Gupta Dynasty meeting Megasthenes , we will see in another Article.

Source

• Defalsification of Indian history By Dr. Subramanian Swamy
• Bharateeya Historiography by Sriram Sathe

Related Posts

• Date of Buddha
• Buddha Image
• Is Gautama Buddha Avatar of Vishnu
• Is Tirupati Balaji Temple a Buddhist Temple
• Kanishka Era
• Dating Indian History
• Are Maukharis and Malwa Guptas Feudatories of Imperial Guptas?
• Date of Kalidasa - Gupta Myth 
• Date of Vatsyayana Kamasutra
• Topics 

Origin of Buddha Image

Today India is known for Idol Worship. All religions in India have in Form worship, either as symbols, letters, pictures or Idols. But this was not the case 2000Years ago. Any form of Form in Faith was not considered. In some places like Karnataka not even name of the dead Jain persons written on the Graves even until 400 AD. Hinduism , Jainism and Buddhism did not support gods in human form. So how did this extreme swing took place , from nothing everything in human forms. This explains the lack of Inscriptions, temples, Idols before 5th century BC. Classic study in this transformation is Buddhism. This was the religion at the prime when this transformation occurred. So Let us see how we got the Image of Buddha. Which will explain the transformation. Let us see if Image in Indian religion and the Origin of Buddha Image and associate controversies.

Vedic Hinduism.

Vedic religion says Absolute or Trancendental can be realized in diverse ways. Co-existence of Sakara(diety with Form) and Nirakara(Diety without Form) in the same household , with men with different Intellectual and moral denominations aspiring for spirituality in their respective ways. Kena Upanishad says man cannot comprehend God with his sense organs. That is God cannot be seen with Eyes. Svetasvatara upanishad says that Great one has not likeness to form. In Bhagavat Gita Arjuna asks Krishna in what forms and objects the Great one should be meditated. In response Krishna first Enumerated all phenomenal objects , all flora , all fauna and so on. Then Krishna gives Arjuna supernatural Eye , in which he sees entire universe, process of creation and process of destruction. Arjuna beholds God is identical with Cosmos. Later Supplements of Gita say God can be worshipped by Agni by Brahman, Devata(divinity) worshipped in the heart of Muni,Pratima(Image) is adored by men of Low intellect. While one whose sight is not limited can see God everywhere. Adi shankara preferred Formless and Ramanuja said he is prefers both Formless and With Form.

Jainism

Jainism says In the theist world the loftiest entity is The God. It has thousands of names like Paramatma (the ultimate soul), Bhagavan (the most glorious one), Siddha (the liberated), Buddha (the enlightened), The God, etc.

In the Jain tradition there are two forms of this entity-

(1) The formless God or Siddha (the liberated) and

(2) The God with a form or Tirthankar / Arihant.

The Tirthankar is a detached individual who is the ultimate altruist and benefactor of not only mankind but every living being. He propagates the religious path and preaches about it for their benefit. His benevolent voice promotes happiness, peace, and infinite bliss for every being.In the Jain tradition there have been twenty-four Tirthankars during the current descending cycle of time, Bhagavan Rishabhdev being the first and Bhagavan Mahavir being the last. For every Jain these Tirthankars are the entities to be worshipped and revered. The ultimate goal of Jainism is to tread the path shown by them and acquire infinite powers and virtues.

Buddhism

Thervada ban on Buddharupa( Buddha Image) is well known. An old Disciple of Buddha Vakali was eager to see Buddha before he died. One day buddha came and said to him “ O vakkali why do you crave to see this body of impure matter, one who perceives Dharma Perceives me. One who perceives me perceives Dharma” On different occasions through dialogues and sermons Buddha spoke against adoration of his Rupakaya or Buddha Rupa.

What does faith say?

The Trinity Hinduism, Jainism and Buddhism say that God is formless ,but it does not go against worship of forms , saying that is done by lower intellectuals. So the form is also present in Indian Dharma along with Formless, which is the basic or ultimate. Now let us see how Buddha Image developed.

Origin of Buddha Image

Buddhist followers remained faithful to Buddha teaching of non-worship of buddha Image. The first to break the rule King Udyana of Vatsa or Kausambi, who was very devoted, The story goes that he was worried that Buddha would not return. Buddha's disciple Maudgalyayana used magic to send an artist (some say 32 of them) up to heaven to capture the likeness of the Buddha in a 5-foot figure carved out of sandalwood. This image was so accurate and imbued with devotion, that when Shakyamuni returned, it rose up to greet him. The Buddha acknowledged then, the power of the rupa to inspire and to teach the dharma to future generations. This story is not accepted by most Buddhists. For Five centuries after Buddha until 1st century BC , Buddha was represented by Symbols. Until 1st century AD he was never represented in Human Form. Immediately following this period the Graeco-Buddhist or Indo-Hellenistic or Ghandara period presents us with enormous anthromorphic images. Immediately we have suggestions from western world that the images were introduction from west , particularly from Greece. The present Image developed after the 5th century AD. Our main debate of the article comes here, Was the Concept of Image of God came from West (Persia, Middle east , Greece, Rome , etc).

Image or Icon in Indian Religions – History Debate.

In the First two decades of this 20th century Western scholars like Albert Foucher and John Marshall has concluded that Image or Icon was not the characteristic of Indian religions till the advent of Persians , West Asians and Greek. This Western Idea was supported by Arya Samaj, Brahmo Samaj and Prarthana Samaj. They maintained that Worship of Image was un - Vedic, Un - Brahminical and was the later development in Puranic age. Thervada buddhist also accepted this theory.

Other Hindus who held Pratima(Likeness = Image) was an Indigenous element nothing was foreign. Kashiprasad Jaiswal and Anand Coomaraswamy contended that Rupa (form) is integral part of the Vedic religion. At this time Indus Valley civilzation was unearthed, Archeologist R.P chanda found earliest representation of Siva Pasupathi and Yogi in the Indus valley. Also scholars pointed to Tibetans traditions and showed that Image was used before Mauryas. Also aborignals(Not Aryan and Dravidian) like Veddas and Nagas have their dieties and symbols of worship. So the worship of symbols and dieties is not totally absent.

Image worship in India

• Image worship as we have seen in the Formless debate was accepted and prevalent.

• Images of Shiva, mother Goddess,Yogi and wide variety of Terrocotta statues representing Human and Animal like forms. in Indus valley have proved beyond doubt that Image worship was prevalent.

• Aboriginal like Yaksha and Naga have dieties. We find numerous dieties in their settlements since earliest times. Which show that Idol worship was prevalent before vedic times(7000BC)

• Sakya, the clan Buddha was born in, had its own Yaksha deity, the Yaksha Sakyavardhana, the benevolent guardian of Sakyas. As prevailed the custom, soon after his birth, the child Buddha was presented to Yaksha Sakyavardhana for child's long life and glory.
  

So from the above points the worshipping of Forms and images was widely prevalent and the Idea is not Import from west. Let us move to the next point. Was the Buddha image creation due to influence of the west.

Foreign Influence.

Foucher argued that the Buddha Image is a eurasian one or Greek one. Let us analyse the facts.Before the Gandhara buddhist images there were Mathura Buddhist Images which were Indian in look and Indigenous. So there is no question of Gandhara images being the first buddhist images. Infact Gandhara images are continuation of mathura Images. Let us see the if there is any influence of Greek or western on the Gandhara images. Let us see one by one

Image

• The Asanas are all Indian. The early art shows five sitting postions with hands showing mudras (Dharmachakra Mudra, Dhyna Mudra, Bhumisparsa Mudra, Varada mudra, Abhaya Mudra)

• The Dress worn by Boddhisattvas are Indian.

• Physical attributes: Protuberance(usnisa) on the crown is evident, urna or turf in the fine hair between the brows is evident, Fingers are webbed, The Ears are elongated by wearing the ear rings before monastic robes.

• The Boddhisattvas represented in less rigid position holding attributes in the hands(vajra pani in Vajra, Padmapani by roselotus , Avalokitesvara by blue lotus, Maitreya Amrta Flask) These attributes can be held in any hand, but they are always held in Right hand by Indian Tradition.

• The Dieties are either seated or Standing on traditional Indian lotus Flower.

Symbols

All the Symbols used in the Art are indian such as bull, Sacred Tree,Mountain, River , many Solar ,Nandipada, Trishul, Swastik, Lotus , Bow and Arrow Etc. These are Hindu, Jain and Buddhist or Indian.

Art form

In Indian art (abstract) the emphasis is laid on the significance of the object not the appearance. In Greek art (naturalistic) the emphasis is laid on the object and its looks. Every art is a compromise between the abstract and naturalistic, but what we see in Gandhara and other Indian art is continuos concept of Abstract(whether one finds a sacred tree or Buddha Figure) , no swing from one style to another as seen during 19th century when there were wild swings to European art. The Gandhara artforms are infact reproduction of early mathura artforms.

Technology

The Technology , Craftsman were already present , when the need for buddha arise and they had no problem in making the images.

Conclusion

So we cannot say that the Buddha got the Image due to Western Influence. The Gandhara art shows lot of Influence of Hellenistic artform, but the Image is originally Indian. Hinduism , Jainism and Buddhism embodied accomodation of non-believers into their fold as they are , without losing anything. Unlike in Europe when pre-christian gods were banished once christianity took hold, Indian faith accepted aboriginal Yaksha and Naga dieties and symbols and absorbed them. This process continued and Buddhist and Jain elements were absorbed into Hindu fold. So the Image and Deity worship are essentially Indian , though they were not part of Hindu, Jain or Buddhist Dharma initially.

Ref:

The origin of Buddha Image by Ananda K Coomaraswamy

Dating Indian History - Towards a common Era

Most of disputes in history starts with dates, one claiming predating other. Let us see how difficult it is to know the exact year of existence of particular person from Inscriptions. We are restricting ourselves to Inscriptions as going to literature will open another Pandora box.

Inscriptions are dated in some many ways. Ranging from simple year date (regnal or era ) to detailed year month tithi(lunar day), week day and/or other calendrical or astronomical dates. Let us see the Era or dating used.

Regnal Year

This is practice dating records from regnal years of king , this method is used in most of the inscriptions. Beginning from Ashoka , continuing with satavahana, Ikshvaku, Vakatakas continued record in regnal years in their inscriptions, this continued in medieval period with Palas, Pallavas, Cholas, Pandyas. A typical inscription with regnal year, might say “ The great king of so-and-so with so-and-so titles with so-and-so achievements donated in the first year of of his reign “. The inscription may add the tithi or day of the week, or month in addition the regnal year. Unless additional reference date or another king or ruler or event is provided the dating of the inscription is not absolute. These inscriptions have to be dated by techniques similar to paleographic records or undated inscriptions. But sometimes due to historical synchronization we can find the year and sometimes month and date of the particular inscription, but this is not the case with most inscriptions. The successive rulers of dynasty have given inscriptions ,so we can date them successfully. But sometimes some successive rulers have same names which compounds the problem. The problem is with regnal years everything is relative and fluid, with change of date of one inscription every other inscription has to be re-dated. If Greek have not come to India , we will not be able to date Ashoka and with Ashoka the entire Indian History.  

Year of an Era

Beginning with First century BC some inscriptions dated the years in continuous era. In this practice the kings issuing the inscription dates the inscription in the regnal years of the previous kings instead of his accession. This system is seen in the Dynasties. Sometimes they are followed even when the dynasties have fallen and new one takes over. But this information is not absolute, the name of the era may be left out since it is a prevalent one and common knowledge. In addition the year may be given in numbers or words or both. Sometimes the year is given as chronogram(bhutasamkya), with digits expressed in words for items associated in particular order. The suggested numbers have to read in reverse order(according to the principle Ankanam Vamato gatih, numbers run leftward). Sometimes both common era and Regnal year can be found.

Let us see some of the Era's

Jain Nirvana Era

This date starts with Nirvana or salvation of Last Jain Tirthakarna Vardhamana Mahavir. While Vicarasreni(1310AD) in Merutunga(Prakrit) gives date as 470 Years to vikrama Era, Nemichandra(1084AD) in Mahaviracariam(prakrit) gives the date as 605 years and 5 Months to before the start of Saka Era. So the dispute will be there as the Mahavira date is not certain. The Sravanabelagola Inscription equating Vir- Nirvana year 2493, Vikrama 1888 and Saka 1752 is an example.

Buddhist nirvana Era

Cantonese records say each year after passing of Buddha was represented by a dot and so the date of Buddha is 486BC , the start of Buddhist nirvana Era. But there is no agreement in Buddhist world. So the dates are disputed.

Vikram Era

This Era starts in 50 BCE by King Vikramaditya. Vikramaditya regained his ancestral kingdom in Ujjain by expelling the Sakas from there after 9 years of their rule (66-57 BCE). In order to commemorate his victory over them, he introduced a new era called Vikram Samvat (or Malawa Samvat) in 57 BCE. This story is also disputed.

Shalivahana saka
The Inscription of Pulakeshi talks synchronises the era with Kali era and uses the term Shalivahana sake. This era is also called Saka era. This is the most consistently used era and also currently used by Govt of India as Well. Historically this marks the defeat of Saka ruler of Ujjain by Shalivahana of Paithan. This is era is used extensively in Karnataka, Maharastra and Andhra. The start of era is 78AD. However Indologists have many theories for this era. But it is generally agreed that Kanishka was the first to use Saka era , so the origin is given to him. But kushana chronology itself is debated. Saka era is labled in various ways such as saka-nrpa-Kale, saka-varsesv-atitesu, Saka-varse, Salivahana sake, sake and so on. Except the earliest years Saka era dates are labeled saka year. 

Kalachuri-Cedi Era

The date of origin of this era is also doubtful. The date of 248AD based on the accesion of Abhira king Isvara dutta is now not valid.

Vallabhi Era
Thisis used in Kathivad and neighbhourhood.It is synchronous with Karttikadi Vikrama year 376 (318-319AD) and Saka 242-42. Inscription in the era are available from 82 to 945. It is also said this is gupta era continued and the era corresponds to accession of Chandra gupta I. Guptas don't use the era in the earlier inscriptions. So the claim is questionable. Most historians attribute to Accession of Chandragupta I. The dates are calculated by adding years 319 to 322 years to that is found in the inscriptions.

Ganga (Gangeya Era)

Many inscriptions of Eastern Gangas and Eastern Kadambas in Karnataka , Andhra and Orissa. The Ganga Era is also disputed ,but it is generally agreed it starts in 475AD based on inscription of Kadamba feudatory Dharmakhedi.

Sri Harsa Era

Al-Biruni (11^th century AD)suggests that Harsa Era was prevalent in the area of Mathura-Kannuaj starting with 457BC. But there seems to be no common such era in India before Saka and Vikram Era. In fact Al-Biruni learnt in Kashmir that Sri Harsa era started with Sri Harshavardhana in 606AD, the Mathura pandits seems to have tricked Al-Biruni to such date.

Bhatika Era

The historical origin of Bhatika era is disputed. It starts at 623 to 625AD. The dispute here is due to association the close synchronisation and association with Islamic Hirja Era 622AD in western India and close to regions of Arab Incursions. Absence of Early inscriptions is explained as the solar modification of Muslim era. Mr.Dasharatha sharma says it represents era of Bhatia rajput Clan. Several unpublished inscriptions near Jaisalmar have cited to indicate Bhatika samvat. However Mr. Mirsa and Mr.Sarcar argue some of the inscriptions are Harsa Era.

Kollam Era

This era starts at 824AD, used in Kerala and around Kerala mostly in Malayalam and Tamil sometimes in Sanskrit as well. The reason for the start of the Era is controversial as it marks the starts of the foundation of Kollam, but Kollam existed prior to it. Some scholars say it is related to Saptarsi era, but the geographical distance makes the theory untenable.

Bhauma Kara Era

This era started by Bhauma Kara kings of orissa. The era starts in 831AD probably of ruler Ksemankaradeva. Earlier the era was considered to be harsa era.

Nepali or Newari Era

This era was started by Jayadevamalla. The era starts in 871AD. The earliest Nelpali inscriptions date themselves to Saka or Vikrama or Gupta or Licchavi Era.

Chalukya-Vikrama Era

This era was started by Chalukya Vikramaditya IV upon accession to throne in 1076AD. The Inscriptions of Vikramaditya mention this era ,many times the Saka era is also mentioned.

Lakshmana Sena era

This era starts in 1117AD in Gaya region of Bihar. This era is attributed to Accession of Sena King Lakshmana sena though the dates do not match.

Bengali San
The Era is Named Bengali San(Sen) is in use in Bengal. It is solar year and runs with saka era. The Months are however Lunar. It starts at 516 Shalivahana Saka.

Vilayati Year
This is another Solar Saka year used in parts of Bengal and Chiefly in Orissa. The Months like Bengali San is Lunar. The start of the Vilayathi year is same as Bengali San 516 Shalivahana Saka. There are two differences though, First begins solar year in Kanya which is bengali sen Ashvina or Assin. Second the months begin on the day of sanskranti instead of following 2nd or 3rd day.

Amli Era
This era is used in Orissa. The Amli commenses from the birth of Indradyumna, raja of orissa on Bhadrapada Sukla 12th and each month commenses the moment the sun enters the sign. Amli san is used in business transactions and in the courts of Law in orisssa.

Fasali Year
This is harvest year introduced by Akbar,originally derived from Mohammadan year and bearing the same number, but beginning in july. It was in most parts of India Solar year, but different customs in different parts of india has made it divergent. There is Luni Solar and North west Fasali year.

Maharatta sur san or Shakur san
This is sometimes called Arabi san. It is extensively used in Mahratta domains. This is nine years behind Fasali of Deccan.

Magi San
This is used in Chittagong. It is similar to Benglai san. The only difference is it is 45 years behind.

Simha Samvat
This era is used in Kathiavad. THe era starts in 1036-37 Saka

Lakshmana Sena era
used in Tirhut and Mithila, but always with Saka or Vikrama era. Era starts in 1105-6 AD.

Ilaki Era
The Tarlkh-i-Illahi or Mighty Divine era was established by Akbar. It dates to his Accession 14 Feb 1556 (Friday 2nd Rabi-us-sani AH 963) . It is extensively used in Coins of Akbar and Jahangir, but Shah Jahan seems to discontinued.

Rajyabhisheka Saka
It is also called Mahratta Raja Saka Era. Saka here is era. This era was established by Shivaji on the day of accession (Jyeshta sukla Trayodasi (13th) of Saka 1596 expired or 1597, Ananda Samvatsara)

Pseudo-historical Era's

Old Saka Era

Some of the early Khartoshi and Brahmi insciptions cannot be dated to Saka or Vikrama era's. So they are classified to Old Saka Era distinguishing from Saka Era 78 AD. But there are many disagreements between scholars on which inscriptions should fall to Saka Era and Old Saka Era. Evenmore controversial is the exact origin of the said Era. And still more controversial is the exact date of the historical epochs mentioned with this Era. So this can be said to be one of the speculative Era.

Aguptaiyaka Era

The Gokak inscription dates itself to 845 th regnal year of unknown Aguptaiyaka kings. The inscriptionbelong to 6^th century AD. So the era should start at 3^rd or 2^nd century BC. Speculation is it is connected with Chandragupta Maurya and local king Aguptaiyaka.

Other Era's

Some Inscriptions of Bengal are dated to Malla era starting at 694/695AD. Some Inscriptions of Bengal refer to Bengali Era (sana or Sala Era). Some orissa inscriptions refer to sana era as Amli era. There is also Siddha Hema Kumara Era(1142AD). Illahi Era (1556AD) instituted by Mughal Emperor Akbar. Some late inscriptions date themselves to Imgreji San or Isvi Era based on Christian era.

Phantom Era

Maurya Era

Some scholars studying the Hathigumpha Inscription of Kharvela have noted a Maurya Kala starting 324-300BC based on Chandragupta Accession. But sunsequent studies revealed that the inscription was stating Mukhya Kala (Sanskrit) not Maurya Kala. So that Era is hoax.

Astronomical

Kaliyuga Era

Kaliyuga era is supposed to begin with Kali aeon. Traditional associations with events Epics. Kaliyuga is creation of astronomers for chronological base for astronomical and calendrical calculations. The initial date corresponds to Friday, Feb 18 ,3102BC at the time of astronomical conjunction of Sun, Moon, Earth, and Planets at the point of naksatra mesa. Kali yuga is normally counted as expired. Earliest Kaliyuga era in inscription is Aihole inscription dated Kaliyuga 3735 and saka556 corresponding to 634 AD.

Saptarsi Era

Saptarsi Era also called Laukika,Sastra, Pahadi or Kacca is a imaginary cycle of 2700 years. The calculation is based on Saptarsi(Great Bear) which stands for 100 years in 27 nakshatras. Pahadi refers to the use in hills of Punjab and Kashmir. Lukika and Kacca refers to omission of hundreds. Since it is mainly used in Astrology it is called sastra Samvat. The puranas give different dates and confuses this era.

Grahaparivriti Cycle

This is based on Kaliyuga Era , But instead of 100 year cycle it follows 90 year cycle. It is followed in Madurai region of tamil nadu. This year is fabricated by Astrologers of that area.

Brahaspati 12 Year Cycle

Brahaspati cycle is based on twelve year cycle of sidereal revolution of Jupitor. Some Gupta Feudatories , Kadambas, Rastrakuta used this in some inscriptions.

Brahaspati 60 Year cycle

This is originally calculated by jupitor transistion from one rashi to another. Due to discrepancy of four days every year, the cycle of requires suppression of one jupitor year every eightyfive years. This sixty year cycle is usually dated in name of the years then in numbers.

Ref

Indian Epigraphy by Richard Salomon.

Indian Epigraphy by D.C . Sircar.

Ancient Indian History and Civilization by Sailendra nath Sen.

The Indian Calendar, with Tables for the Conversion of Hindu and Muhammadan Into A.D. Dates, and Vice Versa Front Cover Robert Sewell, Robert Schram

Controversies of Kural by valluvar

Let us see some of the controversies sorrounding Kural.

Last 25 chapters

The last 25 chapters are split into two parts, premarital and marital love, separately, yet because of their different style there is controversy whether these chapters were part of the original work because many of principles in this chapters are contrary to what is discussed in previous chapters.

Author

Very little is known conclusively about the life of Tiruvalluvar.As per Tamil tradition, he is believed to have lived some time before Tholkappiar .His wife name is vasuki.

Textile weaver

He is said to have been a textile weaver by profession, who led an austere life. His devoted wife was named Vasuki. The name Valluvan is ambiguous as well: it may have referred to his caste/occupation and may not have been his real name. There is a distinct caste to this day with this name, among the Tamils whose traditional occupation used to be textile weaving who trace their ancestry to valluvar. However, the question of whether the author was named after his community or vice versa, has never been satisfactorily answered.

Untouchable

Pope begins his introduction by discussing the issue of Thiruvalluvars caste. While Thiruvalluvar's biography was generally acknowledged to be legend, certain aspects of the legend were seen by most scholars as based upon historical fact. One of these was his low-caste origin. As Pope explains, the name Valluvar was an honorific, meaning teacher or priest, traditionally given by the paraiyar (the untouchables of the Tamil country) to the learned men of their community.

Truth is nothing is known about the author other than his name is valluvan.

Place

Legends abound about the birthplace of Thiruvalluvar.

Mylapore (chennai)

According to one legend he is supposed to have been born and lived in Mylapore,an ancient part of present day Chennai city. Author lived in Pallava times,who also patronised jainism.

Madurai

Another legend associates him to Madurai,the ancient capital of the Pandya rulers. This second legend probably has its origins due to the fact that Pandya rulers promoted Tamil by patronising a lot of Tamil poets and Thiruvalluvar is supposed to be one of them. In fact, some folklore cite that Tirukkural was introduced to the world by Tiruvalluvar in Madurai’s Tamil Sangam.

Valluvanadu

During the 9th century A.D. a Valluvanadu existed in Kerala. But exact location of valluvanadu is disputed.

Valluvanadu-palaghat

The Valluvanadu of the Palaghat district was ruled by Valluvakon in the ancient times. In the laterdays Nairs who entered Kerala annihilated or assimilated the Valluvars of Palaghat and occupied the land. The king of Valluvanadu was called Valluvakonathiri Moopil Nair.The Valluvanad is associated with bravery as most of the Chavers or the suicidal army of Kerala was derived from the Valluvanad area. The Valluvanad Chavers participated in the Mamankam a festival held every twelve years in which, the Chavers tried to kill the Samudhiri the king of neighbouring kingdom even though they were quite aware impossibility and the possibility definite death.

Valluvandu- Wayanad

At Wayanad district the Valluvans are believed to have their kingdom at Valluvady near the Kerala Karnataka border. At Valluvady many artifacts of Valluvars including golden artifacts are believed to be found.

Valluvandu- Kanyakumari

There are also recent claims by Kanyakumari Historical and Cultural Research Centre (KHCRC) that Valluvar was a king who ruled Valluvanadu in the hilly tracts of Kanyakumari district of Tamil Nadu. Though this recent claim comes through research, many questions remain unanswered.

Dating

Caldwell and Pope dated the text to the 8th—10th centuries C.E., while the majority of Tamil scholars placed it in the late Sangam period whose period is disputed. Modern scholars like Zvelebil favour a date earlier than that of Caldwell and Pope to 7th century.

Cladwell

Caldwell argued that of Tamil was both the oldest and the least dependent upon Sankrit. But even while granting the antiquity of the language, he dismissed the antiquity of Tamil literature. The oldest of it could not be older than the 8th — 9th century C.E. Caldwell further questioned ancient Tamil society's exposure to the higher forms of civilization, such as art, science or religion, prior to the arrival of Brahmins; Dravidian religion, for instance, prior to their advent, had been a sort of demonolatry or primitive Shamanism.

Silapathikaram

If X mentions Y then Y is earlier, probably a hundred years earlier than X. This works well in some caes. Kural is mentioned in Silapathikaram and manimekalai.So kural is before that but silapthikaram date is also disputed. So how do you date kural.

Grammer

Thirukkural does not adhere to the rules of Tholkappiyam, the Grammar book. This shows that this book has preceded Tholkappiyam which is not the widely held view.

Faith

Tiruvalluvar’s faith is disputed. There are claims he is Hindu, Jain, Buddhist and even christian , let us see.

Jain

• The phrase `malar misai Ekinaan'that appears in the first chapter. Roughly translated:malar misai Ekinaan = one who went towards or reached the flower. If the meaning for the verb Ekuthal'is given . scholars say `malar misai Ekinaan' is Mahavira. It seems the iLangO adikaL in his work `silappadhikaaram' uses the same phrase to refer to Mahavira.
  
• The third kural, in the first chapter is translated by Prof. P.S.Sundaran as: Long life on earth is theirs who clasp. The glorious flower-embedded feet In his notes he writes: "Flower-embedded feet may refer either specifically to Aruhan, the Jain God who is usually represented as standing on a flower, or to God in general whose seat is not only in haven, but also in the flower-shaped-heart of his devotees." "Aruhan" (Arhant) can be any one of the 24 Jinas.
  
• Comparing the kural verse with a verse in Bhaktaamar Stotra, composed by Mantungacharya. The 44 verses of Bhaktaamar praise the first Jina (just like the first chapter of Thirukkural), as mentioned in the last quarter of second verse: ... stoshye kilaahamapi tam prathamam jinendram .. I will also praise the first Jina. The second half of the 32nd shloka is: paadau padani tava yatra Jinendra dhatth, padmani tatra vibudha parikalpayanti.. wherever you put your feet, gods create lotus flowers. mostof the verses of the first chaper can also apply to Gautama Buddha, since he is also "one who has conquered his five senses",however the mention of Aadi Bhagavan make it clear that it is the first Jina being praised.
  
• Professor A Chakravarty identifies the author of the Tirukkural text as the same Kundakunda Acarya and identifies places in the South with him. He offer the opinion that the Kural was of his authorship, the only one he wrote in the local language of the Tamils among whom he lived and which he sent through a friend, or disciple of his to Madurai to get approval from the Tamil Sangam. But this theory of present date and has no basis.
  
• Tamil tradition identifies an Eladhi Nayanar in close proximity to Valluvar, Under these somewhat negative proofs,Kundakunda might have fathered the work and might have underscored the relationship of Eladhi Nayanar with the Valluvar of the Kural for among his own many names Elacarya is given as one. But this is a legend of 13th century making in supporting antiquity of another lengend avvaiyar.
  
• Section devoted to vegetarian food, the author distinctly condemns the Buddhist principle of purchasing meat from the butcher. Buddhists Say that they are not to kill with their own hands but may purchase meat from slaughter house. The author of the Kural in unmistakable terms points out that the butcher's trade thrives only because of the demand for meat. Butcher's interest is merely to make money and hence he adopts a particular trade determined by the principle of 'supply and demand'. Therefore the responsibility of killing animals for food is mainly on your head and not upon the butcher's. This is clear jain mind working against buddhist.
  
• The Jaina commentator of the Tamil work called Neelakesi freely quotes from this Kural, and whenever he quotes, he introduces the quotation with the words "as is mentioned in our scripture". From this it is clear that the commentator considered this work as an important Jaina scripture.
  
• Non Jaina Tamil work called "Prabodha Chandrodaya". This Tamil work is evidently modelled after the Sanskrit drama Prabodha Chandrodaya. This tamil work is in Viruttam metre, consist of four lines. It is also in the form of a drama where the representatives of the various religions are introduced on the stage. Each one is introduced while reciting a characteristic verse containing the essence of his religion. When the Jaina sanyasi appears on the stage, heis made to recite that particular verse from the Kural which praises the Ahimsa doctrine that "not killing a single life for the purpose of eating is far better than performing 1000 yagas". Kural was characteristically a Jaina work. Otherwise he would not have put this verse in the mouth of 'Niganthavadi' ( a Jaina).
  

Hindu

• The very arrangement of the book into 3 divisions (muppaal)is a vedic concept of Purusharthas, dharma, artha and kaama. He left out the 4 th division, Moksha, because adherence to the principles of the first 3 will automatically elevate one to Moksha or Liberation from the cycle of life and death.
  
• The compartmentalization of the ‘adhikaras’ into the mystic number 108 for Dharma (aram) and Artha (poruL) also is indicative of a definite plan to present his bookon the vedic notion of spirituality. The choice of the term, ‘Adhikaram’ itself for the chapters is indicative of the vedic practice of Yatho-desa paksham – which means the spread of control / influence by itself and its own sake, that is, the message of Kural will spread by itself the message of Purusharthas.
  
• The positioning of adhikaram, ‘voozh’ (destiny) after dharma (aratthu-p-paal)is also demonstrative of a Vedic influence. How-much-ever dharmic one may be, one can not stop or escape from the interference of ‘oozh’ or destiny is the message given at all ages, from Gita onwards (one has control over one’s actions only, not on the results) to Silappadhikaaram (oozh vinai urutthu vandhu ootttum)and this has been aptly given as a finale for Aratthu-p-paal.
  
• The only source book he quotes for all rules is the ‘nool’The ‘nool’ that he often speaks in kural is the Vedas and he has repeatedly glorified the ways the ‘Saandror’ or Aryans.
  “kadan enba nallavai ellaam kadan aRindhu
  saandraaNmai mEr koLbhavarkku.”
  “saman seidhu seer thookkum kOl pOl amaindhoru paal
  kOdaamai saandrOrkku aNi”
  
• Brahmins (anthanar) and Vyakarana sastras (725)are the respected ones he looks at, for any reference to acts of dharma.
  
• Devas and their habit of receiving Havis from humans are often mentioned by him.
  
• He disapproves animal sacrifice in yajnas but not yajnas themselves,giving indication of his leanings towards vedic practices and his willingness to usher in modifications – which is what sages too had said for kali yuga.
  
• The Vamana avatara is clearly mentioned in kural 610 where he tells that the king must be like “ulagu aLandhaan”,Vamana in conquering worlds.
  
• He makes a veiled mention of Rama’s valour in kural 773 for showing mercy to the enemy in the war field when he is down in spirits. Most important of these is his veiled reference to Rama in his opening verse.These ancient norms of poetry were aimed at spreading and preserving the greatness of the Lord or God who had been praised by the poet. The praise of the Lord to live long can not just be empty words but it also must incorporate certain features that help in making the Lord and his name immortal.We come across such norms in Choodamani nigandu, given as sutras and Thirukkaural had followed these ancient norms and had indicated his Lord, his Ishta devatha as Rama!! One will be surprised to know that these norms were in tandem with certain rules of astrology, meant for longevity and greatness!
  
• Thiruvalluvar begins his book with a worship of god.The Akaara Brahman is indicated in his very first verse as also the Bhagam (6 qualities) of Bhagavan – a vedic concept.Akaara Brahmam is equated to Vishnu in Bhagavad Gita.
  
• He has indicated his God – ishta devatha in this verse – ‘agara mudala..’
  It has been a practice in ancient times for the poets to reveal their God or Lord or the Lord of the song (paattudai-th-thlaivan)in their first verse as a puzzle. Thirvalluvar too had done that.
  
• Vaiyapuri Pillai has said:"There are many couplets of the Kural that are either translations or
  adaptations of Manusmriti”, such as:
  - Kural 57 and Manusmriti IX:12
  - Kural 41 and Manusmriti III:78. This verse of smriti, Pillai points
  out, has been reiterated by Tiruvalluvar more than once.
  - Kural 396 and Manusmriti II:218 "
  
• He talks about "destroying the five senses", which you can see in upanishads and bhagavat gita. Concept of multiple birth is a hall mark of Hindu dharma. Undoubtadly, TiruValluvar endorse future birth. Destruction of ego: this is another characteristic aspect of Vedic religion.
  Kural - 346
  Who kills conceit that utters 'I' and 'mine',Shall enter realms above the powers divine.
  He who destroys the pride which says "I", "mine" will enter a world which is difficult even to the Gods to attain.
  Kural - 348
  Who thoroughly 'renounce' on highest height are set;The rest bewildered, lie entangled in the net.Those who have entirely renounced (all things and all desire) have obtained (absorption into God); all others wander in confusion, entangled in the net of (many) births.
  Kural - 349
  When that which clings falls off, severed is being's tie;All else will then be seen as instability.
  At the moment in which desire has been abandoned, (other) births will be cut off; when that has not been done, instability will be seen.
  Kural - 350
  Cling thou to that which He, to Whom nought clings, hath bid thee cling, Cling to that bond, to get thee free from every clinging thing.
  Yama, the god of death, a Hindu entity
  Kural-269
  E'en over death the victory he may gain,If power by penance won his soul obtain.Those who have attained the power which religious discipline confers, will be able also to pass the limit of Yama, (the God of death).
  
• Kural-24 to Kural-27 is without any doubt part of the Upanishadic, Yogic and Tantric traditions.
  Kural-24
  He, who with firmness, curbs the five restrains,
  Is seed for soil of yonder happy plains.
  Kural-25
  Their might who have destroyed 'the five', shall soothly tell
  Indra, the lord of those in heaven's wide realms that dwell.
  Kural-26
  Things hard in the doing will great men do;
  Things hard in the doing the mean eschew.
  Kural-27
  Taste, light, touch, sound, and smell: who knows the way
  Of all the five,- the world submissive owns his sway.

Christian

•  Deivanayagam, has claimed ' Porivaayil Aintavittan' has reference to Jesus Christ, who sacrificed himself in human form with the five senses complete, on the symbol of the cross, so that humanity may be redeemed and ennobled towards an eternal life.
  
  
• M Deivanayagam says Thiruvalluvar was a Christian and a disciple of St.Thomas and most of the Saiva Sidhantha and the vivid knowledge found in Thiruklural were nothing but the sayings of The Bible.

This is just attempt to spread christianity and there is no basis of this claim.

Translation

It is maintained by a well known Tamil scholar that the work is a faithful translation of the Dharmasastra by Bodhayana. Many Sanskrit words are found in this Kural and from among the traditional doctrines some are also treated therein. Let us see.

This Bodhayana Dharma Sastra, since it is based upon the traditional Varnasrama, keeps to the traditional four castes and their duties. According to this conception of Dharma, cultivation of the land is left to the last class of Sudras and would certainly be infra dig for the upper class to have anything to do with agriculture. The author of Kural, on the other hand placed agriculture first among the professions. For he says, "living par excellence is living by tilling the land and every other mode of life is parasitical and hence next to that of the tiller of the soil".

 

Another interesting fact mentioned in Dharma Sastras is the mode of entertaining guests by the householders. Such an entertainment is always associated with killing a fat calf; the chapter on guests in Bodhayana Dharmasastra gives a list of animals that ought to be killed for the purpose of entertaining guests. This is necessary part of Dharma and violation of it will entail curse from the guests in the firm belief of those who accept Vedic ritualism as religion. A cursory glance at the corresponding chapter in the Kural will convince any reader that Dharma here means quite a different thing from what it means in the Dharma Sastras of the Hindus. Hence we have to reject this suggestion that the work represents merely a translation of the Dharma Sastras for the benefit of the Tamil reading people

What scholars opine about Tirukkural.

• There is a distinct intellectual relationship of  the Arathupal of Kural with  the Ramayana, Mahabharata, Parasara Samhitha, Srimad Bhagavatham, Rg Veda and 
• Porutpal has very many similarities with Kamanthaka Neeti, Artha Sastra of Kautilya, Sukra Neeti, Bodayana Smrithi 
• Kamathupal reflects many a thoughts from Kama Sutra of Vatsyayana. (Sri V.R. Ramachandra Dikshidhar)
• More than twenty five pure Sanskrit words have been borrowed from the Sanskrit Language and incorporated  in the body of the Kural by Valluvan as well as according to Mr.Vyapuri  Pillai  time it was written in the 6th century AD.  (S. Vyapuri Pillai)
• Aran, Iyalbu, Ottrar, Duthar Adhikarams in Kural reflects the thinking of Kautilya's Artha Sasthra (S. Vayapuri Pillai) 
• Valluvan did codify the Kural in the present format and there has not been much of any differentiation in presentation from its time of origin. 
• What Kural says in Tamil has been told by various rishis in Sanskrit which can be found in the very many ancient philosophical literature available in India.  
• One of the most important points to note is, in Kural Valluvan has never discussed the Tamils, by name, nor has he referred to the various Tamil  kings of the Chera, Chozha and Pandiyan dynasties and their histories.  In contrast, they are available in plenty in the Sangam Literature.
• Valluvan has never used the word Tamil or Tamizhan in the Kural. 
• Neither does Valluvan talk about the life and times of Tamilians in Tamilnadu, in his Kural.

Sources
Non Random Thoughts
S. N. Srirama Desikan, Research Scholar - Tirukkural published by Ganghai Puthaga Nilayam, Chennai 1991

Origin of Ikshvaku Dynasty

The Ikshvakus (Sanskrit इक्श्वाकू Telugu ఇక్ష్వాకులు) were one of the earliest dynaties of Andhra pradesh. They ruled the eastern Andhra country along the Krishna river during the later half of the second century CE. Their capital was Vijayapuri (Nagarjunakonda). Some scholars have suggested that this dynasty was related to the ancient Ikshvakus of Hindu mythology. Rama of Ramayana, who is considered as the incarnation of Vishnu belonged to the line of Ikshvaku. According to Hindu mythology, Ikshvaku, who was the Manu and father of Kukshi, was the founder of the Suryavanshi dynasty, reigning from Ayodhya at the commencement of the Treta Yuga. Archaeological evidence has suggested that the Andhra Ikshvakus immediately succeeded the Satavahanas in the Krishna river valley. Ikshvakus have left inscriptions at Nagarjunakonda, Jaggayyapeta, Amaravati and Bhattiprolu.

Let us see the facts and determine the Andhra Ikshvaku Dynasty.
Literary Sources
A Kannada poem Dharmamrita states that the Ikshvakus of Andhra were the descendents of the renowned Ikshvakus of northern India. The oriental scholars like Buhler and Rapson expressed the view that the northern Ikshvakus might have migrated south. According to the Vayu Purana, Manu, the great patriarch of ancient India had nine sons of whom Ikshvaku was the eldest. His capital was Ayodhya. He had one hundred sons, and the eldest Vikushi succeeded his father as the ruler of Ayodhya. Of the rest, fifty sons founded small principalities in Northern India. Forty eight of his sons migrated to the south and carved out kingdoms for themselves. Buddhist literature refers to the penetration of the Ikshvakus into South India and declares that they founded the Asmaka, Mulaka and other principalities. These Kshatriyas settled down in the south and became merged with the races there. In Dharmamrita a reference was made that during the lifetime of the 12th Tirthankara, a prince named Yasodhara hailing from the Ikshvaku family came from the Anga kingdom to Vengi in the south. We are informed that the prince was so impressed with beauty of the region, and the fertility of the soil that he made it his permanent home and founded a city called Pratipalpura. It is believed that Pratipalapura is the modern Bhattiprolu, a town in Guntur District.

Analysis

• Finding lineage to ancient Mahabhrata and Ramayana dynasties is not a new phenomenon, All kings all over the country has done this.
• Dharmamrita is a 12th century work and Ikshvaku rule existed in 3rd and 4th centuries. So this book is just quoting the legends.
• The word Ikshvaku means bitter gourd, these myths may have been attempt to glorify their background by linking their name to Legendary Ikshvakus.
• Vayu purana dated between 6th and 8th centuries talks mainly of Manu ikshvaku's and nothing about Andhra Ikshvaku's
• Inscriptions refer to Ikkhaku kings
• Asmaka , Mulaka existed before Satavahans, there is no evidence to support Ikshvaku existed prior to Satavahans. Asmaka , Mulaka were republics(Mahajanapadas), may be they were presided by Buddhist councils, so this can be attempt by Buddhist literature to link the two as Ikshvaku patronised Buddhism.

There is very little evidence to show who they are ,but they are legendary, so we see the Telugu chodas linking to them, so does many others. But may be they are just a local dyansty, we never know.

Kannada origin
It is generally accepted that Ikshvaku's are Telugu origin ,but their diety happens to be Virupaksha which shows kannada origin.

khaipnaka, Sagaraipnaka formed from Vitokha, Sagara are used for daughters of the kings which show ikshavakus as karnata /Kuntala origin. Ikshvaku princess Kodabalisiri , was possibly the queen of a Cutukula Satakarni of Banavasi.

Also the inscriptions of Nagarjunakonda have kannada influence, May they came from west that is Karnataka.

Also the Dialect shows the influence of Kannada like Kanda(kannada)- child, Chali(kannada)- cold, talava (Kannada) - Leader

Related Posts

• Satavahana Origin
• Reign of VishnuKundin 
• Reign of Salankayana
• Kalinganagara
• Pallava Origin
• Telugu name Origin
• Srisailam
• Topics

Myth of Independent Tamil Culture

We have theory of North-South contrast and an unknown Dravidian substratum over which the layer of Aryan culture was deposited. This view is only milder than that of the proponents of a separate and secular Tamil Culture, who insist on a physical and cultural Aryan-Dravidian clash as a result of which the pure Dravidian culture got swamped.Let us analyze the History,

Politics of language translation and Identity
Rajagopalachari, a political activist and Tamil scholar coins a word ‘Yakkai Rasayanam’ to denote ‘organicchemistry’. The ‘Yakkai’ has ‘pure’ Tamil root while Rasayanam is culled from Sanskrit but of common use among Tamil people.Yakkai connotes ‘organized’ and alludes to ‘vitalism’ and ‘chief organiser’, that is God. So people find this not secular.
The current technical term in usage ‘Karima Vediyal’(Carbon Chemistry) was suggested by Chennai Magahana Tamil Sangam in 1938 is exorcised of any reference to ‘tradition’ and as matter of fact is very secular. The term Karima means ‘Carbon’ and Vediyal means ‘Chemistry’. However, the term Vediyal is a modern word coined from a root word ‘Vedi’ meaning ‘transmute’. The verb ‘Vethithal’ implies transmutation of baser elements in Siddha tradition of ‘alchemy’. The word Vedi also came to denote drug used by Siddha school of medicine, derived not from plant sources but from chemical source’. How did this secularization of coining of terms
come about? Let us see

Social historians posit that during 1930s there were One group represented the traditional elite - largely dominated by Brahmins and consisting of elite from upper caste Hindu section were characterized by their sympathy towards ‘tradition’- meaning Sanskrit traditions, and in politics advocating ‘Pan Indian Nationalism’. Another group was the Tamil Vellala and non-Brahmin upper caste elite, who articulated ‘Tamil identity politics’ drawing inspiration from the Tamil past. Thirdly, there were the Left/self-respect movements, which not only questioned the ‘past’ but also ‘invalidated’ it.

As the balance of power of the third group swelled in the public sphere during the 1940s; in the ensuing social upheaval, impact of the self-respect movement’s rationalism and the left ideology geared the ‘rediscovery programme’ in a direction of taking it to secular plane away from the‘past tradition’ or ‘indigenous religion’. Rationalism was privileged in the rediscovery programme. E.V. Ramaswamy Naicker (Periyar) have very rigid ideas about the ancient history of Tamil Nadu. First, despite all evidence to the contrary,they still insist on the Aryan invasion theory in its most violent version, turning most North Indians and upper-caste Indians into descendants of the invading Aryans who overran the indigenous Dravidian s, and Sanskrit into a deadly rival of Tamil. Consequently, they assert that Tamil is more ancient than Sanskrit, and civilization in the South older than in the North. Once Tamil Nadu's Education minister said The Dravidian civilization is older than the Aryan. It is not uncommon to hear even good Tamil scholars utter such claims. Let us Analyse the evidences

Pre-historical
Culturally, the megalithic people of the South shared many beliefs and practices with megalithic builders elsewhere in the subcontinent and beyond.

Script
The earlier Tamil inscriptions were written in Kadamba script, Pallava grantha and Vetteluthu Inscriptions after the eighth century A.D. Contain characteristrics similar to the one now in vogue The Tamil script(see also Tamil Brahmi) infact flipflopped between Pallava Granta and Vetteluthu.

Vedic Gods and Vedic culture in Tamil Literature
Tolkappiyam (date) is modelled on the Sanskrit grammar of the Aindra school. Tolkappiyam adopts the entire Rasa theory as worked out in the Natya Sastra of Bharata. It also refers to rituals and customs coming from the Aryans,a word which in Sangam literature simply means North Indians of Vedic culture. Tolkappiyam states that marriage as a sacrament attended with ritual was established in the Tamil country by the Aryas and it uses the same eight forms of marriage found in the Dharmashastras. It mentions the caste system or fourfold jathis in the form of Brahmins, Kings, Vaishyas and Vellalas, and calls Vedic mantras the exalted expression of great sages. Tolkappiyam formulates division of the Tamil land into five regions (tinai), each associated with one particular aspect of love, one poetical expression, and also one deity: thus the hills (kurinji) with union and with Cheyon (Karthikeya); the desert (palai) with separation and Korravai (Durga); the forests (mullai) with awaiting and Mayon (Vishnu-Krishna); the seashore (neytal) with wailing and Varuna; and the cultivated lands (marutam) with quarrel and Ventan (Indra). Vedic gods are considered one with the tamil land. The emperor of Tamil poetry, Kambar, describes Sanskrit as the "devabhasa"

Ettuttokai abound in references to many gods Shiva, Uma, Murugan, Vishnu, Lakshmi and several other Saktis. The Paripadal consists almost entirely of devotional poetry to Vishnu. One poem begins with a homage to him and Lakshmi, and goes on to praise Garuda, Shiva on his majestic bull, the four-faced Brahma, the twelve Adityas, the Ashwins, the Rudras, the Saptarishis, Indra with his dreaded thunderbolt,the devas and asuras, etc., and makes glowing references to the Vedasand Vedic scholars. The Purananuru in addition sees Lord Shiva as the source of the four Vedas and describes Lord Vishnu as blue-hued and Garuda-bannered. A poem in Akananuru, declares that Shiva and Vishnu are the greatest of gods. Not only deities or scriptures, landmarks sacred in the North, such as the Himalayas or Ganga, also become objects of great veneration in Tamil poetry. North Indian cities are referred to such as Ujjain or Mathura after which Madurai was named. Court poets proudly claim that the Chera kings conquered North Indian kingdoms and carved their emblem onto the Himalayas. They clearly saw thesubcontinent as one entity.

Kural is often described as an Atheistic text a misconception. Valluvar's 1,330 mostly deal with ethics (aram), polity (porul) and love (inbam), following the traditional Sanskritic pattern of the four objects of human life: dharma, artha, kama, and moksha, the last implied rather than explicit. Still, the very first decade is an invocation to Bhagavan. The ocean of births can be crossed by those who clasp God's feet, and none else. The same idea recurs later, for instance in this profound thought, Cling to the One who clings to nothing and so clinging, cease to cling. The Kural also refers to Indra, to Vishnu's avatar of Vamana , and to Lakshmi, asserting that she will shower her grace only on those who follow the path of dharma. There is nothing very atheistic in all this, and in reality the values of the Kural are perfectly in tune with those found in several shastras or in the Gita

Shilappadikaram(Date) which relates story of Kannagi and Kovalan, it opens with invocations to Chandra, Surya, and Indra, all of them Vedic Gods, and frequently praises Agni, Varuna, Shiva, Subrahmanya, Vishnu-Krishna, Uma, Kali, Yama and so forth. There are mentions of the four Vedas and of Vedic sacrifices being faultlessly performed.In more than one place, writes V. Ramachandra Dikshitar, the first translator of the epic into English, there are references to Vedic Brahmans, their fire rites, and their chanting of the Vedic hymns. The Brahman received much respect from the king and was often given gifts of wealth and cattle. When Kovalan and Kannagi are married, they walk around the holy fire, a typically Vedic rite still at the centre of the Hindu wedding. Welcomed by a tribe of fierce hunters on their way to Madurai, they witness a striking apparition of Durga, who is addressed equally as Lakshmi and Sarasvati, the three Shaktis of the Hindu trinity. There are numerous references to legends from the Mahabharata, the Ramayana, and the Puranas.

After worshipping at two temples, one of Vishnu and the other of Shiva, the Chera king Shenguttuvan goes to the Himalayas in search of a stone for Kannagi's idol, and bathes it in the Ganges. Manimekhalai even though is a Buddhist work, it also mentions many Vedic and Puranic gods, and attributes the submergence of Puhar tothe neglect of a festival to Indra. Silapathikaram and Manimekhalai, which amply testify that what we call today Hinduism, Jainism and Buddhism coexistedharmoniously. (See Also Divine Tamil)
As the archaeologist and epigraphist R. Nagaswamy remarks, The fact that the literature of the Sangam age refers more to Vedic sacrifices than to temples is a pointer to the popularity of the Vedic cults among the Sangam Tamils.

Agastya, the great Vedic Rishi, as the originator of the Tamil language. He is saidto have written a Tamil grammar, Agattiyam, to have presided over the first two Tamil Sangams, and is even now honoured in many temples of Tamil Nadu and worshipped inmany homes. One of his traditional names is Tamil muni. The Shilappadikaram refers to him asthe great sage of the Podiyil hill,and a hill is today named after him at the southernmost tip of the Western Ghats.

P. S. Subrahmanya Sastri says a knowledge of Sanskrit literature from the Vedic period to the Classical period is essential to understand and appreciate a large number of passages scattered among the poems of Tamil literature.In other words, Vedic and Puranic themes are inextricably woven into Sangam literature.
Ramachandra Dikshitar writes Either the people did not look upon religious distinctions seriously, or there were no fundamental differences between one sect and another

Historical Period
But here let us just take a look at the rulers. An inscription records that a Pandya king led the elephant force in the Mahabharata War on behalf of the Pandavas, and that early Pandyas translated the epic into Tamil. The first named Chera king, Udiyanjeral, is said to have sumptuously fed the armies on both sides during the War at Kurukshetra Chola and Pandya kings also voiced such claims of course they may be devoid of historical basis, but they show how those kings sought to enhance their glory by connecting their lineage to heroes of the Mahabharata. So too, Chola and Chera kings proudly claimed descent from Lord Rama or from kings of the Lunar dynasty, in other words vedic roots. Karikala, was a patron Vedic religion and while the Pandya king Nedunjelyan performed many Vedic sacrifices, and the dynasty of the Pallavas made their capital Kanchi into a great centre of Sanskrit learning and culture.

K.V. Raman summarizes says
The Pandyan kings were great champions of the Vedic religion from very early times According to the Sinnamanur plates, one of the early Pandyan kings performed a thousand velvi or yagas Vedic sacrifices. Though the majority of the Pandyan kings were Saivites, they extended equal patronage to the other faiths, and included invocatory verses to the Hindu Trinity uniformly in all their copper-plate grants. The Pandyas patronised all the six systems or schools of Hinduism. Their religion was not one of narrow sectarian nature but broad-based with Vedic roots. They were free from linguistic or regional bias and took pride in saying that they considered Tamil and Sanskritic studies as complementary and equally valuable.
Nilakanta Sastri goes a step further and opines, There does not exist a single line of Tamil literature written before the Tamils came into contact with, and let us add accepted with genuine appreciation, the culture of North Indian origin.

The Myth of Dravidian Culture
And yet, such statements do not go deep enough, as they still imply a North-South contrast and an unknown Dravidian substratum over which the layer of Aryan culture was deposited. This view is only milder than that of the proponents of a separate and secular Tamil Culture, who insist on a physical and cultural Aryan-Dravidian clash as a result of which the pure Dravidian culture got swamped. As we have seen, archaeology, literature and Tamil tradition all fail to come up with the slightest hint of such a conflict. Rather, as far as the eye can see into the past there is every sign of a deep cultural interaction between North and South, which blossomed not through any imposition but in a natural and peaceful manner, as everywhere else in the subcontinent and beyond.
M.G.S. Narayanan says
The Aryan-Dravidian or Aryan-Tamil dichotomy envisaged by some scholars may have to be given up since we are unable to come across anything which could be designated as purely Aryan or purely Dravidian in the character of South India of the Sangam Age. In view of this, the Sangam culture has to be looked upon as expressing in a local idiom all the essential features of classical Hindu culture. Swami Vivekananda says, The South had been the repository of Vedic learning.

Conclusion
It should now be crystal clear that anyone claiming a separate,pre-Aryan or secular Dravidian or Tamil culture has no evidence to show for it, except his own ignorance of archaeology, numismatics and ancient Tamil literature. There is no meaning in the word Dravidian except either in the old geographical sense or in the modern linguistic sense, racial and cultural meanings are as unscientific as they are irrational, although some scholars in India remain obstinately rooted in a colonial mindset.

The simple reality is that every region of India has developed according to its own genius, creating in its own bent, but while remaining faithful to the central Indian spirit,So is Tamil culture.

Who is Diodotus - Greek Myth

Diodotus, Seleucid satrap of Bactria, rebelled against Antiochus II (about 255 BC) and became the founder of the Graeco-Bactrian kingdom (Trogus, Prol. 41; Justin xli. 4, 5, where he is called Theodotus; Strabo xi. 515). His power seems to have extended over the neighbouring provinces. Diodotus was a contemporary, a neighbour, and probably an ally of Andragoras, the satrap of Parthia, who at about the same time also proclaimed independence from the Seleucid Empire.

Now let us find out who is Diodotus, Is he a Greek King or Mauryan Emperor Ashoka.

Diodotus according to Greeks
Diodotus wrestled independence for his territory from the Seleucid ruler Antiochus II, who was embroiled in a war against Ptolemaic Egypt:

Diodotus, the governor of the thousand cities of Bactria (Latin: "Theodotus, mille urbium Bactrianarum praefectus"), defected and proclaimed himself king; all the other people of the Orient followed his example and seceded from the Macedonians. (Justin, XLI,4 )

Arsaces, the chieftain of the nomadic (Dahan) tribe of the Parni(east Parthia), fled before him into Parthia and there eliminated Andragoras, the former satrap and self-proclaimed king of Parthia, and became the founder of the Parthian Empire (Strabo l.c.).

"Soon after, relieved by the death of Diodotus I, Arsaces made peace and concluded an alliance with his son, also by the name of Diodotus; some time later he fought against Seleucos who came to punish the rebels, but he prevailed: the Parthians celebrated this day as the one that marked the beginning of their freedom" (Justin, XLI,4).

Coinage
Diodotus I Issued Gold and bronze coins, some of which are struck in the name of Antiochos. Diodotus Soter appears also on coins struck in his memory by the later Graeco-Bactrian kings Agathocles and Antimachus.

Ashoka is Diodotus

• We can see both are same by the following points
• Same Era -Both lived in the same era. Both died at the same date.
• While we have no inscriptions for Diodotus , we have no coins from Ashoka.
• Being Neibhours both don't acknowledge each other.
• Both called themselves the Emperor's of the orient.
  
• Ashoka started as the governer of some provinces of his father Bindusara(Amitrochates or Allitrochades), Who was friendly with Antiochus I and entertained by ambassadors from Syria and Egypt.
  
• During Bindusara period, there was revolt in Taxila(same place of Arsaces), was put down by Bindusara and subsequently another revolt was putdown by Asoka after he ascended the Mauryan throne.
• In The Nittur Edict Ashoka Calls Himself The Ruler Of Parthavi(Parthia)Lion is as much Royal symbol of Macedonians as Mauryans
• Stupa's are similar to West Asian Stupas
• The Kandahar Edict clearly shows Ashoka as the master of Arachosia, whereas the numerous coins of Diodotus-I found from this area indicate that Diodotus was the sovereign of this region.
• Ashoka has many names, Priyadarsin(Piodasses),Devanapriya, Devadutta, the last term should be seen as Diodotus to greco-Romans, like Sandracuttas (chandragupta Maruya)
• Ashoka mentions his nearby kingdoms in Girinar inscription as coda, pida, satyaputo(Mysore Jains), ketaleputo, Tambapanni(ceylon), Antiyoka(seleucid-syria), , ptolemy(Egypt), Gongakenos(Gonatus-Macedone), Magas(cyrene-libya),Alexander II(Epirus-Alabania,Greece). So his Empire extended into West Asia. In short he acknowledges kingdoms all west Asia ,but not Diodotus

So Ashoka is Diodotus and Diodotus is Ashoka , the emphasis on the name priyadarsin after the conquests has made him different ruler to the contemproary historians. Maybe the western historians dont want to acknowledge that an Indian Empire stretched to Greece.